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I am, most decidedly, a lover of the color grey. Almost every article of clothing, yarn, fiber — the first thing I reach for is grey.

And in the ocean of grey, there is another color that makes a pretty frequent appearance in my wardrobe. (No, not black — that’s just another shade of grey.) I love orange. I think it’s such a happy color.

And, it goes well with grey. Of course.

I must be missing an element of happy recently, because I’ve finished two projects in my happy color.

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First, Carpino, by Carol Feller. It is a sweater from the Wool People 6 collection — the collection that I had a bit of a preview of, at Knitter’s Review Retreat last November. Of course, I promptly fell in love with every single piece of that collection, in a way that I never would have had I seen it in only in print, as beautiful as the Wool People Look Books are.

This little sweater is very flirty and a little bit retro. It has an i-cord edged ballet neckline, 3/4 length sleeves which are fitted. The front is a fun bubble like lace pattern (which is very easy to memorize).

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I knit this sweater in a singles yarn. I knew even before I cast on, in my brain somewhere, that this is probably not the greatest strategy for a long lasting, well wearing sweater. But I did it anyway. Why? Because it was the perfect color, Del Rey from Neighborhood Fiber company.

I have already worn the sweater a couple of times…so far so good. As long as some naughty canine that I live with does not hook her little paws into the lace in front of the sweater!

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Have you ever had a “O.M.G. I have to spin this/knit it right now” moment? Of course you have. The second project was one of those things. I purchased a beautiful commercially processed Shetland top from the UK at the Feederbrook Farm booth at Maryland Sheep & Wool. It is charcoal grey (surprise!) in a way only nature can produce, I knew exactly how I wanted to spin it, and as I was spinning the fiber — I knew exactly what I wanted to make with it.

I spun the fiber woolen, from the fold. I wanted lofty, squishy, and light in weight…a shetland version of LOFT.

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The urge was so great that as soon as I plied a skein and the twist was set, I wound the skein and cast on — while the rest of the yarn necessary to complete the project was still sitting on the wheel.

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Then, for contrast, I wanted a bit of….Orange! And I looked in my Pigeonroof Studios non-Superwash grab bag that I had in my stash…and voila. A few little bits of rusts, oranges and yellows. I wasn’t sure what the fiber content was (I think it is Polwarth/silk but I’m really not sure.), but I only needed a bit over 100 yards so I was sure it was going to work.

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The shawl that this yarn was destine to be? Kelpie, by Jared Flood (Who else?).  It’s a take on the Classic Shetland Hap Shawl, a bit citified. My gauge was bigger than the stated gauge of the pattern, so I knew this would be a large shawl.

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It is large, 74″ across with a 37″ drop. I didn’t think the shawl would grow to quite this size, but it is soft, light, very squishy, and the orange in the feather and fan border makes me smile.

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I am looking forward to wearing this often. (It sort of matches the sweater too!)

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I think I’ve gotten the Orange out of my system for now! Better go find some grey yarn.

sandness Sometimes, a new design comes out and it does not matter that I have a million projects on the needles, or looming deadlines. The perfect yarn is in stash, the needles are free (or I will free them).

It needs to be cast on.
This happens to me about once a year. It usually wreaks havoc in my well planned and organized knitting life. And generally, I really know I have no business casting on this new project.
sandness 1This happened to me when Wool People 5 came out. Curse you Jared Flood. Many gorgeous designs, as usual, and accessories heavy. And in the middle of all the shawls, one spoke to me. It wasn’t the runaway most popular shawl of the collection on Ravelry, but to me, it was perfection.
I had been Golluming my Malabrigo Finito in natural for the perfect, cozy shawl. It started screaming at me from its nesting place. Because the yarn totally knew it needed to be made into this shawl.
Not difficult, not lacy, not a project that can only be knit by a maestro.
But knit in a cream, round yarn, there was no fudging in knitting this thing. The construction is classic Shetland. The wave pattern in the edging had to be blocked out evenly. It appealed to the OCD part of me.
sandness 2I love the waves, but I also sigh in content as I look at the transition point from the triangular body to the edging. It’s so pretty.
I was wrapped in it for most of my time at Squam, dragging it from place to place like Linus and his blanket. It smells of the fireplace we had going in our cabin every night. I made the large size, with 1/2 a repeat omitted mostly because it was already huge (finished block size is 38.5″ deep by 79″ wide) and to ensure that I had enough yarn left over to make the hat cousin, Norby. (I haven’t made this yet….and yet another Brooklyntweed collection, from Wool People 2.)
Sometimes, you just have to do it. You know the feeling, right?
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