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I know a few knitters who do not have Work In Process (WIP) projects or UnFinished Objects (UFOs) lying around the house. And I know knitters who have WIPs and UFOs in dark corners of their closets.

I admit. I have more than my fair share of WIPs and UFOs. Some live in variety of states in their baskets and armchairs around places where I normally sit, some live in their relatively organized state of dormant-ness in cabinets. They have all been abandoned for one reason or another.

A few months ago, I did my latest round of culling these WIPs and UFOs. I think what I have now on my hands are projects that I want to finish. (Oh and yes, it felt so good to just throw away that Kaffe Fassett intarsia cardigan in fingering weight cotton.) Some are a bit daunting — one sleeve left to go on Alice Starmore’s Mary Tudor sweater that I abandoned in 1998, for example — and some are not so daunting.

Intention #2 for 2015: Along with all Crafters, world wide. Finish those WIPs and UFOs!!!

I bet this is a pretty popular intention at the start of the year. I have been trying to be at it so far this month though, and have made pretty good progress on several projects.

Like…My brother-in-law’s cashmere fisherman’s cardigan.

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My BIL is not a big person. But you know what? He is still man-sized. Which is (thankfully) bigger than me by more than a couple of inches in every dimension, making this sweater infinitely larger than what I want to knit. On top of that, he was SO EXCITED for a hand knit sweater, running out to go get the yarn, and the buttons. To boot, his mother is a tailor, making him rather particular regarding details on his clothing. Which just increases the stress level for me. But this needs to be completed. I need it off my plate.

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Or, this sweater. I’m almost finished, but it’s a turtleneck sweater in chain plied merino (um, shall we call it a single season sweater?). The yarn is beautiful….FAR by Woolfolk. (Read more about Woolfolk here — I think it’s a great story). And the pattern is frankensteined out of Adara by Michelle Wang (for the beautiful color work and the “feel” for the sweater) and Blank Canvas by Ysolda Teague (for the fit. This is a WONDERFUL pattern to have on hand for a great raglan/saddle shoulder worked in the round).

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Or, remember this shawl? It’s the project that I said would be the “NEXT POST” back in…August and because I didn’t finish, made me go on a hiatus on this blog. Knit out of laceweight yarn that I handspun from a gorgeous Hedgehog Fibres batt.

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Or this color work vest, Barrington Vest by Jared Flood, out of Brooklyn Tweed LOFT  which would be a welcome addition to my work wardrobe!

These are just a few examples. I would love these garments as finished objects, and I intend to finish them this year. This is one of the reasons why 2015 Intention #1 was accessories-centric — I have plenty of BIG projects already in progress. (And projects that I don’t….hate!)

Here’s to clearing off some of these works in process off my To Do list!

IMG_4387Do you set intentions for your crafting at the beginning of the year?

(I refuse to call them resolutions.)

I have three this year. One of them is very specific, one of them is grand, and one of them is pretty generic.

Intention #1: 2015 is the Year of Accessories!!

I like to knit garments. Large shawls, sweaters….something I can wear. I don’t do home goods, I’m not much of a sock knitter (or mitts knitter…you know, that second of a pair thing)..and I usually don’t knit hats unless I am cold, or in need of a quick gift.

This year, one of my intentions is to knit accessories — hats, shawls, cowls, mittens, fingerless mitts and socks. Relatively quick knits, easily gift-able, not much monkeying with fit. And most importantly, the knitting is easy to transport and easy to work on in small stretches of free time I may be able to eke out.

With that in mind, the first finished object(s) of the year is a hat and a pair of mittens. It was hard to resist the urge to cast on for a sweater — but these are for me, In delicious, oh-not-so-very-practical-for-a-dog-owner of beautiful clotted cream colored cormo. The yarn: Clara Yarn Cormo 1.0. “I’m cutting it too close” panic made me snatch up a few extra skeins on a Ravelry destash, and I am very glad for it. The hat pattern is the ever-classic Koolhaas by Jared Flood. I don’t think I will ever get sick of knitting this hat pattern. The mittens, not a perfect match but I think in the same family with twisted rib, is Grove, also by Jared Flood.

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You can bring on the snow now!

One of the favorite things about knitting for me is the whole process of matching the right yarn to the right garment. When it goes right, I feel like it is Christmas…when it goes wrong….well…I can usually tell before I finish so I can rip it out!

When Clara Parkes decided to make a bit of yarn, I was excited. She has touched, smelled and swatched more yarns than anyone I can think of (her Craftsy class, here) — so I knew she would create yarns that would be fun to knit.

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First came Clara Yarn Cormo 1.0. Good thing I had spun some cormo and knew that the yarn would be deceptive in the skein. This yarn was 4 plies of worsted spun goodness waiting to be knit….but I knew it was going to do the “boooinnnggg”/blooming thing once the crimp of the fiber was allowed to do its thing. Of course I swatched….I thought I wanted some sort of a pattern stitch, since this was a yarn created for great stitch definition,  but I knew I wanted at least part of the fabric to be an homage to the bounciness of the yarn. In my mind, there is one fabric that showcases the best of what wool can be in a fabric….I’m very biased here..garter stitch.

I did cast this yarn on in a different sweater than the one I ended up with at first. I had about half of the sweater knit before I decided that I needed something else. (The best thing about knitting is that you can change your mind mid-course!)

Then I saw it…Carrie Bostick Hoge, a designer I admired for the designs for Quince & Co., published Madder Anthology. One of the sweaters in this collection was a garter stitch cardigan that featured Indian Cross Stitch at the cuffs, collars and the edge of pockets. Perfect! Of course, I monkeyed with the pattern a little, mostly for gauge difference, but I am happy with the result.

Here it is, The Beatrice Cardigan in Clara Yarn Cormo 1.0. In the gorgeous creamy white of the cormo sheep from Montana that this yarn is made of.

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The sweater is totally wearable. The garter stitch fabric is perfect for this round, bouncy yarn and the Indian Cross Stitch adds a nice non-cable, non-lace accent,

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…and of course I love pockets!

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Then came the second yarn,  Romeldale (aka California Variegated Mutant or CVM)1.0. in three glorious natural colors. I love spinning Romeldale. (OK, OK, I love spinning cormo, too.) I had a sneak peak of this yarn…I wasn’t able to guess the breed, but I knew the yarn was woolen spun. It was lofty and delicious….and slightly lighter weight yarn than Cormo 1.0.  I knew as soon as I saw the colors that I had to make a colorwork yoke sweater, something that would really show off the beautiful colors.

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I didn’t really have to think too hard. This yarn was going to become Grettir by Jared Flood.

I added some shaping along the princess seam line as I now do with most of my sweaters (thanks, Amy Herzog!), changed the yoke from 4 colors to 3, but other than that, this sweater was knit as instructed.

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Only nature can take browns and make them glorious like this.

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This sweater is a bit less dressy than my Beatrice, which is completely work worthy, but I will very likely be living in this sweater this winter.

I know I haven’t written lately, but that is what happens when you declare the next post to be about a garment that is still on the needles!!! I’ll get back to that handspun shawl after Christmas knitting.

Tour de Fleece is currently ongoing.

What’s Tour de Fleece (TdF)? It’s the fiber world’s answer to Tour de France. Spinners all over are pedaling on their spinning wheels as world class cyclists as they tackle Tour de France. We mimick the rest days, the “challenge” days, and set a goal of basically spinning every day during the month of July.

I’ve been spinning along, although I’m not sure if I’m consciously spinning any more or less than normal. I have been trying to do something different everyday, switching up fibers and methods of spinning, and trying to really consciously spin. Which is my goal for this TdF — I am trying to get closer to being able to visualize the final garment, pick the right fiber, and spin the right yarn.

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Believe it or not, this is a lot harder than it seems. I am still feeling my way, and still cannot look at/handle a fleece (raw or prepped), and have confidence knowing what it should become.

There are many kinds of fiber crafters. People who identify themselves as Spinners, Weavers, Knitters…and there are those who can do it all.

I am most definitely a knitter first and foremost. I love the whole process. Handling yarn and knowing what it needs to be….or visualizing a garment and going in search of the perfect yarn. I do, most definitely, over complicate the process, but for me, there’s nothing like creating THE perfect knitted garment for the intended wearer.

Spinning fits well into this because it gives me the illusion of being able to dictate this process just a bit more. There are now fibers and preparations that I think are better suited for a mill produced yarn. I have become even pickier (if that was possible at all) in my yarn purchases. It excites me that the yarn market seems to have started the process of evolving into breed specific yarns and I think there are more knowledge out there, thanks to people who are passionate about this writing about it and producing very special yarns.

Back to TdF. I’ve been spinning!

Of course, I’ve been spinning some of the lovely cormo/cashmere. I’m trying to spin about 900+ yards of 3-ply sport weight for a Stonecrop. I think the garter lace body on this would be perfect for a round, squishy heaven of a nicely spun cormo. Add the cashmere and I can feel snuggling into it as it starts to get nippy outside.

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I have also spun some Romeldale-x fleece from Shepherd’s Hey Farm. The ewe’s name is Molé, and I’ve washed and hand combed her fleece (she was much smaller than Cambridge!). So far, I’ve spun some 2-ply fingering.

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…and I’ve cast on. It is going to become a Hitofude (by the way, this is pronounced He-Toe-Foo-Day, and means  “one brushstroke” in Japanese). I couldn’t decide whether I wanted a shawl or a sweater first out of this yarn, and I think this is a nice compromise. This pattern is a runaway hit, and there are 1,522 of these swingy cardigans on Ravelry, one of which is on my needles:

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I also finished spinning from a corriedale batt from Hedgehog Fibres that I began spinning last month. This was a big spin, and will be the topic of my next post. It’s the green/gold/lavender yarn that is pictured at the top of this post, and this has been cast on into a large square shawl which, I am hoping, will fully showcase the glorious colors of this fiber.

And, I’ve also spun some 3-ply aran weight yarn, spun woolen, in happy shades of orange. I spun this to have a bit of a break from the skinny stuff I’ve been spinning, but it will make a nice warm fluffy hat.

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I am, most decidedly, a lover of the color grey. Almost every article of clothing, yarn, fiber — the first thing I reach for is grey.

And in the ocean of grey, there is another color that makes a pretty frequent appearance in my wardrobe. (No, not black — that’s just another shade of grey.) I love orange. I think it’s such a happy color.

And, it goes well with grey. Of course.

I must be missing an element of happy recently, because I’ve finished two projects in my happy color.

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First, Carpino, by Carol Feller. It is a sweater from the Wool People 6 collection — the collection that I had a bit of a preview of, at Knitter’s Review Retreat last November. Of course, I promptly fell in love with every single piece of that collection, in a way that I never would have had I seen it in only in print, as beautiful as the Wool People Look Books are.

This little sweater is very flirty and a little bit retro. It has an i-cord edged ballet neckline, 3/4 length sleeves which are fitted. The front is a fun bubble like lace pattern (which is very easy to memorize).

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I knit this sweater in a singles yarn. I knew even before I cast on, in my brain somewhere, that this is probably not the greatest strategy for a long lasting, well wearing sweater. But I did it anyway. Why? Because it was the perfect color, Del Rey from Neighborhood Fiber company.

I have already worn the sweater a couple of times…so far so good. As long as some naughty canine that I live with does not hook her little paws into the lace in front of the sweater!

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Have you ever had a “O.M.G. I have to spin this/knit it right now” moment? Of course you have. The second project was one of those things. I purchased a beautiful commercially processed Shetland top from the UK at the Feederbrook Farm booth at Maryland Sheep & Wool. It is charcoal grey (surprise!) in a way only nature can produce, I knew exactly how I wanted to spin it, and as I was spinning the fiber — I knew exactly what I wanted to make with it.

I spun the fiber woolen, from the fold. I wanted lofty, squishy, and light in weight…a shetland version of LOFT.

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The urge was so great that as soon as I plied a skein and the twist was set, I wound the skein and cast on — while the rest of the yarn necessary to complete the project was still sitting on the wheel.

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Then, for contrast, I wanted a bit of….Orange! And I looked in my Pigeonroof Studios non-Superwash grab bag that I had in my stash…and voila. A few little bits of rusts, oranges and yellows. I wasn’t sure what the fiber content was (I think it is Polwarth/silk but I’m really not sure.), but I only needed a bit over 100 yards so I was sure it was going to work.

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The shawl that this yarn was destine to be? Kelpie, by Jared Flood (Who else?).  It’s a take on the Classic Shetland Hap Shawl, a bit citified. My gauge was bigger than the stated gauge of the pattern, so I knew this would be a large shawl.

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It is large, 74″ across with a 37″ drop. I didn’t think the shawl would grow to quite this size, but it is soft, light, very squishy, and the orange in the feather and fan border makes me smile.

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I am looking forward to wearing this often. (It sort of matches the sweater too!)

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I think I’ve gotten the Orange out of my system for now! Better go find some grey yarn.

I love natural colored wool yarn. But once in a while, I like not-so-naturally-occurring-on-sheep colors as well.

I have been “stalking” a sweater, Ravello by Isabell Kraemer, since it was published in August of last year. It’s striped, which I love, has a boat neck, which I find flattering, and the sweater looks nice and casual and cool. (Probably 100% due to the styling, but what can I say? I am gullible.)

I have been wearing my stripy sweater that I knit last year to death this spring. It’s Breton by Jared Flood, knit in Sweet Fiber Yarns Cormo, which was a limited run yarn. The cormo is light in weight, it is perfectly warm but not hot, and I have washed and re-washed (gently in wool wash) without too much effect on the sweater. (I have had to re-seam the arms a couple of times and have now re-seamed the arms on with sock yarn — the woolen spun cormo just isn’t strong enough for all the activity that this sweater is getting, I’m afraid.)

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I wanted to make another cormo striped sweater. I had the natural white and natural dark grey cormo in woolen spun fingering from Elsawool. Ideally, I think I would have knit the sweater in white and 2 shades of the natural grey. But how about color? What if I introduced a color in this sweater?

I decided that color was exactly what I wanted. And I wanted….RED.

I have dabbled in dyeing my own yarn periodically with food-safe dyes (Kool-aid and food coloring). I felt strange — a mix of trepidation and even a bit of guilt — for taking one of my favorite fibers, in its pristine creamy white, and introducing color from an artificial drink to it. But dye the yarn I did.

There are many resources on the Internet (Knitty article here, a palette of colors and formulae here). All the articles use 1 packet of unsweetened Kool-aid for every 1oz of fiber. Some suggest using a water and vinegar solution and some say that the citric acid present already in Kool-aid is enough for the color to set.

I presoaked the yarn in a vinegar solution, and I also added vinegar in the water bath….because I have, in the past, tinkered with the color on the fly using food dye. (The creamy cormo yarn is beautiful, isn’t it? Looks like the perfect Somen soaking in my sink.)

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The concoction for my precious cormo yarn was mostly Bing Cherry Kool-aid (which is a deeper red), with some Cherry Kool-aid (which is the color of the jug that comes crashing out of walls in commercials for Hawaiian Punch) to brighten the red a little, and a little bit of Americolor super red (the dye that’s in my cupboard for red velvet cake, a bit more brick than the kiddie red of the Kool-aid). The food coloring I added once the yarn was already in the dye bath, because in the past this has produced a bit of that “kettle dyed” effect.

I love watching the dye bath go clear as the color is transferred to the yarn. Here’s the concoction that sort of looks like some sort of a sick spaghetti!

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And here is the result.

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I will be using it along with the natural dark grey and the cream for the stripes.

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It sort of looks like Neapolitan ice cream, doesn’t it?

I recently finished my first shawl of the year.

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I’m not exactly sure what is happening so far in 2014 (I think it’s called the spinning wheel), but I am surprised that it took me so long to cast on a shawl. I think I had forgotten that I love to knit lace, how just arranging well planned holes and twisted stitches transforms yarn into something so amazing. And how the spaghetti that comes off the knitting needles just metamorphosizes into glory once it is blocked.

For me, there is nothing that flies off the needles faster than a well designed shawl.

So, when I cast on Jared Flood’s Sempervivum shawl in a wondrous grey yarn from Hedgehog Fibres, a score of an experimental shade that was in the dyer’s personal stash, I could not put the needles down.

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And, as a bonus, this shawl is knit from the bottom up, which means that, the most stitches you’ll have on the needles is at cast on!

I am always careful about using variegated yarns on lace, as not to detract from the lace motif. However, I think this yarn worked out pretty well. No striping, no pooling… just hints of blues, greens, rusts in a wash of grey.

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I have been wearing this shawl nonstop. And yes, I’ve cast on another shawl!